Pièces de clavecin en concerts
The Pièces de clavecin en concerts, published in 1741, constitute the only chamber music by Jean-Philippe Rameau and were composed in full maturity; they came after his music for solo harpsichord, and were published before his opera Platée.
They are very different from the trio sonatas in the Italian manner (such as those of Corelli), where the harpsichord is only providing the role of a continuo bass. In Rameau's works, the harpsichord is at the heart of the ensemble, playing a fully written-out obbligato part with virtuosity, with the accompaniment falling to the violin and viola da gamba. Rameau provided for differing instrumental combinations: the flute can replace the violin and a second violin can replace the viola da gamba. It is possible to compare these works with the violin sonatas of Johann Sebastian Bach,[citation needed] written earlier, around 1720, in which the melodic material is shared equally between the violin and harpsichord and the harpsichord part is obbligato nearly throughout.
They are divided into five concerts of three to four movements with typical French 'character' names, some of which can be enigmatic: a name of a place (Le Vézinet), of character (La timide, L'agaçante) or of persons (La Forqueray, La Marais, La Rameau). The last type of appellation was not used by Jean-Philippe Rameau for his solo harpsichord works.
Premier concert
First Concert in C minor, RCT 7:[a]
- La Coulicam
- La Livri: Rondeau Gracieux
- Le Vézinet
c. 10 mins[b]
Deuxième concert
Second Concert in G major, RCT 8:
- La Laborde
- La Boucon: Air Gracieux
- L'agaçante
- Premier menuet, Deuxième menuet
c. 19 minutes
Troisième concert
Third Concert in A major, RCT 9:
- La Lapoplinière
- La timide: 1er Rondeau, 2e Rondeau
- Premier tambourin, Deuxième tambourin en Rondeau
c. 13 minutes
Quatrième concert
Fourth Concert in B flat major, RCT 10:
- La pantomime
- L'indiscrète: Rondeau
- La Rameau
c. 11 minutes
Cinquième concert
Fifth Concert in D minor, RCT 11:
- La Forqueray: Fugue
- La Cupis
- La Marais
c. 13 minutes
Recordings
- Channel Records, Trevor Pinnock (harpsichord), Rachel Podger (violin), Jonathan Manson (cello)
- Sony Classical SK 45868, John Steele Ritter (harpsichord), Isaac Stern (violin), Jean-Pierre Rampal (flute)
Notes
External links
- Pièces de clavecin en concerts: Scores at the International Music Score Library Project
- v
- t
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- Hippolyte et Aricie (1733)
- Les Indes galantes (1735)
- Castor et Pollux (1737)
- Les fêtes d'Hébé (1739)
- Dardanus (1739)
- La princesse de Navarre (1745)
- Platée (1745)
- Les fêtes de Polymnie (1745)
- Le temple de la Gloire (1745)
- Les fêtes de Ramire (1745)
- Les fêtes de l'Hymen et de l'Amour (1747)
- Zaïs (1748)
- Les surprises de l'Amour (1748)
- Pigmalion (1748)
- Naïs (1749)
- Zoroastre (1749)
- La guirlande (1751)
- Acante et Céphise (1751)
- Daphnis et Eglé (1753)
- Les sibarites (1753)
- La naissance d'Osiris (1754)
- Anacréon (1754)
- Les Paladins (1760)
- Les Boréades (unperformed)
- Nélée et Myrthis (date unknown)
- Zéphire (date unknown)
- Io (unfinished, date unknown)
- Samson (music lost)
- Linus (music lost)
- Lisis et Délie (music lost)
- Pièces de Clavecin
- Pièces de clavecin en concerts (1741)
- In convertendo Dominus